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Yesterday, I saw "Hotel Rwanda." It's a very powerful film. I recommend it to everyone as very valuable history lesson. The following is a review I found in amazon.com which I think pretty well says it:
Terry George's "Hotel Rwanda" is one of those movies that is almost beyond criticism. The story of Paul Rusesabagina (Don Cheadle), a Rwandan hotel manager who strove to save as many of his neighbors as possible from genocidal government troops, requires no embellishment to make it powerful, and George gives it none: he tells it as straightforwardly as possible, with a minimum of trickery and just enough gore to get the point across. (The relative lack of gore has caused some critics to turn thumbs-down on the movie; if George were really true to the story, they said, it should have been a bloodbath on the level of "Saving Private Ryan." I find myself in agreement with George, however; he said that by toning down the gore and getting a PG-13 rather than R rating, he could reach the young people who really need to know what happened in Rwanda.) The story here is as old as history, and as new as today's evening news: the endless ability of a mob of people to find pretexts to hate and kill, and the vitally important message that one person CAN make a difference, even in the midst of murderous chaos. The film is superbly acted down to the smallest bit part, but special mention must be made of Cheadle, who gives a performance of heartbreaking intensity and purity as Rusesabagina, and Sophie Okonedo, who is deeply moving as Rusesabagina's wife Tatiana. This powerful film is a stern rebuke to us comfortable Westerners, who--as one character in the film points out--watched the horrors in Rwanda unfold on the evening news, said, "How horrible," and went on eating our dinners.
Terry George's "Hotel Rwanda" is one of those movies that is almost beyond criticism. The story of Paul Rusesabagina (Don Cheadle), a Rwandan hotel manager who strove to save as many of his neighbors as possible from genocidal government troops, requires no embellishment to make it powerful, and George gives it none: he tells it as straightforwardly as possible, with a minimum of trickery and just enough gore to get the point across. (The relative lack of gore has caused some critics to turn thumbs-down on the movie; if George were really true to the story, they said, it should have been a bloodbath on the level of "Saving Private Ryan." I find myself in agreement with George, however; he said that by toning down the gore and getting a PG-13 rather than R rating, he could reach the young people who really need to know what happened in Rwanda.) The story here is as old as history, and as new as today's evening news: the endless ability of a mob of people to find pretexts to hate and kill, and the vitally important message that one person CAN make a difference, even in the midst of murderous chaos. The film is superbly acted down to the smallest bit part, but special mention must be made of Cheadle, who gives a performance of heartbreaking intensity and purity as Rusesabagina, and Sophie Okonedo, who is deeply moving as Rusesabagina's wife Tatiana. This powerful film is a stern rebuke to us comfortable Westerners, who--as one character in the film points out--watched the horrors in Rwanda unfold on the evening news, said, "How horrible," and went on eating our dinners.
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